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A glossary of linguistic terms, designed for A Level (UK) English Language Students.



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A

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Those features of our pronunciation which are determined by where we come from and our social class: e.g. in the south of England, it is normal to pronounce the word path as p-ar-th, but in the north, the phoneme 'a' is short and pronounced as in 'cat'. Middle and Upper class British people use the non-regional accent called Received Pronunciation (R.P.).

See also  Dialect.

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A word class which contains words that can add more detail (i.e. modify) to a noun or pronoun - e.g. the busy teacher (pre-modification) it was awful (post-modification). Adjectives are gradable depending on whether a comparison is made with one other thing or many other things:

  • big, bigger, biggest
  • difficult, more difficult, most difficult.
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A word class which contains words that add extra detail about the way an action occurred (i.e. the verb) but which can also modify another adverb or an adjective, e.g. 'The girl worked especially hard.' 'He was just too much!' Adverbs can give detail concerning time (soon), place (there) and manner (nearly).

An Adverbial is a phrase that does the job of an adverb provides extra information - usually about time, place or manner - in a clause. A sentence or clause can contain several adverbials (which, unusually for an English syntax, can be located in various places).  Adverbials are usually 'optional' elements in a clause - its central meaning being reasonably unaffected if they are left out.

Twice a day ADVERBIAL time
during the Summer ADVERBIAL time
I exercise SUBJECT+VERB
furiously ADVERBIAL manner
in the gym ADVERBIAL place
on the rowing machine ADVERBIAL place

An adverbial may consist of

  • a single adverb (I will do it soon) or
  • a prepositional phrase (I will do it in a minute) or
  • a subordinate clause (I will do it when I find my screwdriver)

 

 

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A type of phrase that provides extra information - usually about time, place or manner - in a clause. A sentence or clause can contain several adverbials (which, unusually for an English syntax, can be located in various places). Adverbials are usually 'optional' elements in a clause - its central meaning being reasonably unaffected if they are left out.

Twice a day ADVERBIAL time
during the Summer ADVERBIAL time
I exercise SUBJECT+VERB
furiously ADVERBIAL manner
in the gym ADVERBIAL place
on the rowing machine ADVERBIAL place

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In English grammar, it is necessary that certain linked words 'agree' with each other, for example, a verb is given an inflexion (suffix) to allow it to 'agree with' its subject when in the 'third person', e.g. he talks (not he talk).
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This means 'more than one possible meaning'.  In most texts, ambiguity is a problem,  but in some kinds of text, such as poetry or song lyrics, ambiguity creates an effective richness of meaning.

Ambiguity can stem from interpreting words or grammatical structures differently.

Lexical ambiguity:
"He hid the money in the boot" the Wellington boot, or the car boot?

Grammatical ambiguity:  
'The sniper shot the general in the church' Who was in the church - the sniper or the general?

Ambiguity is typically resolved, allowing us to choose the right meaning, through context or pragmatics - so If you were asked to call someone a taxi, you wouldn't be likely to reply with "you're a taxi" .

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An antonym is a word with directly 'opposite' meaning, e.g. black is an antonym of white;  good is an antonym of bad.

Compare synonym.

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If a word is described as archaic, it suggests its use is now old-fashioned. Many words in poems are still used that seem archaic, and many formal words may seem to be so, especially in a religious or legal register. Such words may not be really archaic - it may simply be that you are unaware of these particular registers. Take great care when writing about language in A2 change not to label a word archaic simply because you haven't heard of it - better to say 'formal'.

In literature, an archaism is a deliberate and intentional use of older forms of language. For instance, nineteenth Century poetry retains the use of "thee" and "thou" as second person pronouns, even though they had passed out of use in conventionsl Standard English. If we are looking at an old text which contains words which were current at the time, but have since passed out of use, we can talk about obsolete language.

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Audience means the kind of reader or listener the text was intended for. As this is unlikely to be you, you need to attempt the near impossible and 'become' the intended reader. Always consider a text in this way or you will run the risk of 'misreading' it. Also, avoid being overly specific or informal when describing an audience’s likely characteristics: 'this writing is suitable for clever so and so’s of about 23 and over' sounds rather less impressive than, 'the style of this text seems geared towards an educated and sophisticated adult audience'.
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English verbs are very limited in what they can indicate through their own morphology: using inflexions, they can show past (e.g. cooked) and present tense (e.g. cook), third person agreement (e.g. she cooks), and continuous action (e.g. cooking). Often the main verb needs 'helping out' with a secondary verb form. These are called auxiliary verbs. Auxiliaries are used, for example, to give a sense of time to the main verb (e.g. 'He will be working soon.') or to create a question, 'Have you won?', 'Do you believe it?', 'Could it be true?'. Common auxiliary verbs are forms of to be (is/am/was/are/were/will), to have (has/had/have) and to do (does/did). Some auxiliary verbs are used to remove the sense of action from the main or lexical verb, creating action that exists purely at the level of future potential. These are called modal auxiliaries, e.g. may, might, would, could, should.

C

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A clause is a key grammatical structure and this means that clauses are things that you need to have, at the very least, a basic grasp of. Thought of at its simplest, a clause can be considered as a short 'sentence' - one that occurs either on its own (e.g. "I ate the jelly") or together with other clauses to make a longer sentence (e.g. "because I was hungry").

  • A clause, then, is a group of words that is either a whole sentence or is a part of a sentence.
  • Clauses are built up from individual words or from small clusters of words called phrases.
  • Most clauses are built around a main verb which tells, often, of an action, thought or state, e.g. "I ate the jelly because I was hungry".

A clause can be what is called independent. This mean it is acting as a simple sentence, as in the example, "I ate the jelly". Independent clauses can also exist as a part of a larger sentence when they are called not an "independent clause" but a main clause.

Another common type of clause exists just to help out the meaning of a main clause. This second kind of clause is, therefore, dependent on its main clause for its meaning. An example would be the dependent clause, "because I was hungry"; you'll see here that there is an extra word at the start of the clause: "because". It is this extra word that stops the clause being able to be independent or to be a main clause; the word "because" forces the clause to be dependent on some other main clause, e.g. "I ate the jelly because I was hungry". This words acts to subordinate its clause and so is called a subordinator. Subordinators create dependent clauses - more often, these days, called subordinate clauses (sometimes reduced to "sub-clauses"). There are many subordinators.

Look at this example: "He hit him even though he was a friend":

He hit him MAIN CLAUSE
even though he was his friend. DEPENDENT (subordinate) CLAUSE

An important kind of clause acts as if it were an adjective - it adds extra information about a noun or noun phrase. These clauses are called relative or adjectival clauses. They can seem confusing because they can be inserted in between their main clause, e.g. "The girl who wore a red dress left early." This sentence contains one main clause "The girl left early"
and one dependent or relative clause, "who wore a red dress".

  • The subordinator in this example, the word "who", is acting as a pronoun (i.e. it is a word that takes the place of, and stands in for, a noun). Here it is called, therefore, a relative pronoun because it introduces a relative clause.
  • Other relative pronouns are "that" and "whom".
  • Sometimes the relative pronoun can be missed out to create an elliptical relative clause, e.g. "The joke [that] he told was funny"; here the relative clause is "he told".

The structure of clauses is fairly fixed in English syntax
(S = subject V = verb O = object C = complement A = adverbial).
In certain dialects and in poetry the syntax can be varied and the sense still kept, e.g.

S+V+O: Alison / sang / a song.
O+V+S A ballad /Alison / sang.
S+V: Alison / sang.
S+V+C: Alison / is / a good singer.
S+V+A: Alison / sings / in the choir.
S+V+O+O: Alison / sang / her mum / a ballad.
S+V+O+A: Alison / sang / the song / from the song-book.

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Many patterns of words exhibit a quality known as cohesion. This means that they form coherent units. Phrases are an important coherent grammatical unit. Words that cohere are cohesive: they appear to act not as individual words but as a single unit, e.g. 'inside out', 'at three o'clock', 'the awful creature', 'has been eating', 'in a traditional manner'. These examples of coherent groups are all phrases, but clauses, sentences and discourses are also, if they are to be effective in communicating ideas and facts, coherent.

At the level of discourse, the reader or listener also needs to be able to link the different sentences and paragraphs (or stanzas in a poem, etc) in a logical way. This is achieved by many linguistic means including graphology, semantics, pragmatics, narrative structure, tone, lists, pronouns, proper nouns, repetition of either logical or similar ideas, use of synonyms, and so on. The analysis of the cohesive qualities (i.e. the coherence) of a text is the analysis of discourse structure.

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Many words are habitually put together - or collocated. A collocation is any habitually linked group of words - a kind of lexical partnership, e.g. 'fish and chips', 'salt and pepper', 'don't mention it', 'it's nothing...', 'Oh well!', 'bangers and mash'... and so on. Many idioms or idiomatic phrases exhibit collocation, e.g. in a jiffy.
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A 'colloquy' is a formal word for 'conversation', so colloquial language means the everyday language or register we adopt when chatting to friends, for example, e.g. 'Hello Fred, how's the new mother-in-law these days?'. Slang is a particular form of colloquial language used by certain social groups, e.g. 'Hey-up Fred! How's the new battle-axe then?'; 'Hey that's some cool dude there!'
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A word, phrase or clause that follows a verb and which simply adds further information concerning, usually, the verb's subject. Complements usually follow stative verbs such as 'to be' to create a statement (i.e. a declarative sentence), e.g. 'He is happy'. Here the adjective 'happy' is the subject complement. However, in the sentence, 'He made me happy', the adjective happy is called an object complement as it gives more information about the verb's object, me.
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A word used to link words, phrases and clauses. Common conjunctions are and, but, or, either... or, neither...nor. These can link 'equal units' such as words, phrases or main clauses. A special kind of conjunction that can link 'unequal' independent and dependent clauses is called a subordinating conjunction. There are many of these, e.g. if, when, where, unless, etc. Also see sentence and clause.
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The denotation of a word is its direct, literal or specific meaning (as can be found in a dictionary). If a word also has implied or associated meanings when used in a certain way, these are called the word's connotations. The word 'bat' in this sentence is being used with its denotation: 'A bat is a flying mammal.' however, the word, 'bat' can also take on extra meanings, often metaphorical, e.g. 'He went like a bat out of hell'.

Interestingly, the word 'bat' also happens to have several possible denotations: 'a cricket bat', 'a vampire bat', 'They bat next' (as well as other slang and dialect meanings): words that have several denotations are called polysemic. Polysemy is an area of semantics and pragmatics.

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The content is the meaning contained by a word, phrase, clause or sentence and this is involved with its function. The separation of form, function and content is a theoretical way of discussing the effect of each even though all three are inextricably linked.

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Context is always an important aspect to consider whenever you analyse a text. Context refers to those particular elements of a situation that in some way or another affect the text (for example, the effects of time, place, ideology, social hierarchies, relationships, etc.).

Importantly, language has two potentially important contextual aspects: the context in which it was created and that in which it was interpreted. For example, a letter from a manager to one of his staff will be affected by context such as the situation itself, the power relationship that exists between the manager and the worker, the historical conditions and so on. Another example, when you speak to your parents or when you speak to a friend on the phone you will see that context naturally affects the linguistic choices - the style - of the discourse in important ways. Also see register.

D

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One of a small group of words - a word class - that precedes and pre-modifies a noun and creates a noun phrase, e.g. a, the, some, this, that, those, each.

  • Determiners include the three 'articles' (i.e. a, an, the) and similar words: e.g. some, those, many, their. Each of these are said to determine the number or 'definiteness' of their noun, e.g. 'That man is the one!'

Confusingly, determiners can themselves be pre-modified by 'pre-determiners', e.g. 'Even the apples were rotten' 'All the books were lost.'

The most common determiners are  the definite article (the) and the indefinite article (a or an).

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